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Conor Harrington's Exhibition, The Story of Us & Them Opens Today At Heni Gallery

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Now on at HENI Gallery in London is the latest exhibition, The Story of Us and Them from the Irish-born, London-based artist Conor Harrington.

HENI Gallery

In the early days as a teenager, Harrington was tagging walls after hanging out at hip-hop clubs. Fast forward and he's known for his large-scale studio compositions as well as his huge outdoor murals; his aesthetic blurs the boundaries between a dreamlike state and urban reality. And for his new exhibition, he delves into the idea of patriotism, and the divisions that arise from it using his signature style that sees the abstract sit with the baroque and graffiti-style painting.

For Harrington, the mentality of ‘us and them’ is rising and uses historical portraits of forgotten generals as a conduit with classic patriotic shades of red and blue, exaggerating his idea of ‘us and them’ through various political and cultural tropes. He stages photo shoots on which he bases the scenes in his paintings and utilizes fire extinguishers, brushes, squeegees, hand painting and more to build up an image on his large canvases.  

HENI Gallery

For this series Harrington had two flags made, one red and one blue, which he reproduces in paint and through which he has fictionalized the idea of a nation state to examine ideas on tribalism and patriotism. Harrington is known for his expressionistic oil paintings and murals that draw a fine line between the classical and contemporary, the ethereal and hard realism, and examine themes of masculinity, military history and urban culture.

@conorsaysboom

How many pieces are in the exhibition? There are 12 paintings in total, 8 large full color canvases and 4 smaller black and white studies on birch panel. The large color paintings are very dominating, using mainly reds and blues so I felt I needed to calm things down a little with some smaller monochrome pieces. There is also a big scale difference between the color and the black and whites, the colors being very large and echoing some techniques I use for my murals and the black and white works being a lot more intimate. I like the contrast and feel the black and white works add another dimension to the show.

Describe your aesthetic…Bold, bashy, deconstructed classicism. I’ve always liked art history and while I initially struggled with contemporary art when I was first studying at art college, the Renaissance and Baroque era really captured my imagination. Carravaggio, Velazquez and Franz Hals are some examples of painters whose drama, color and ceremony have informed these new paintings of mine. I used fire extinguishers and large scale brushes and buckets that are more typical tools for mural painting in this new body of work and as I also did a lot of graffiti and street art when I was younger, there’s an immediacy and impatience that comes from painting in the street. My work is a marriage of those two opposing worlds.

HENI Gallery

Tell us about the title, what's in the name? I’ve been thinking a lot about what’s going on in the world, and I wanted to highlight the sense of political division we’re seeing. It feels like everyone is taking sides and rallying around their flags, be it a political party, ideology or lifestyle.
What are you wanting to communicate? The black and white world of politics and opinion, it seems to me there is an increase in polarisation and there’s not a lot of room in between. I did this by depicting 2 teams in my paintings, a Red Team and a Blue Team. Each figure is wearing his team’s colors and using his team’s flag as a weapon and essentially trying to force his belief on to the other. This is what social media feels like to me at the moment, everyone is shouting their opinions without taking the time to listen.

@conorsaysboom

How has your style evolved? I’ve gotten looser and I’m having more fun. I used to use a lot of spray paint in my work to cover the figures and distort them but now I’m attacking them with solvent and covering them with oils in a fire extinguisher. I also used to build up many layers of oils in a more pain-staking approach but now I’m getting across the surface a lot quicker. I paint large scale murals and these are very loose and immediate, executed with large buckets of runny paint and rollers. My indoor work is being more and more influenced by this approach.

The exhibition runs from now until the 12th October 2018.

HENI Gallery, 6-10 Lexington Street, London W1F 0LB