“ANY REAL CHANGE SHOULD MAKE YOU FEEL, AT FIRST, afraid,” author Nathan Hill writes at the conclusion of The Nix. “If you’re not afraid of it, then it’s not real change.”
About an hour after leaving a London pub with Conor Harrington on a cool October evening, I found myself in the hotel lobby, nightcap in hand, and this book, which I have been enjoying over the course of a few transAtlantic flights now. It hit me, the idea of real change and the fear that comes with it is exactly what Conor was telling me without really outright proclaiming, “Change is the necessary scary one needs in their life!” If a leap in your art career doesn’t make you feel just a bit nervous and fearful, it’s probably not a leap at all in the first place. This fall, Conor made the leap, hit it straight on, and it’s starting to look beautiful on the other side.
The line from Hill provided a bit of synergy to this idea that Conor Harrington, already an established contemporary painter and one of the world’s most successful street artists, was beginning a new phase in his career. From his newest monograph to an exhibition with Pace Gallery in London, it feels as though, unassuming and humble as he is, Conor is making a major statement about not only his talent, but the relevancy of painting and street art in 2016. Even the title of both the show and book, Watch Your Palace Fall, alludes to politics and contemporary culture, but perhaps, even to his personal challenge to reimagine and reassert himself on the gallery walls of one of Mayfair’s finest galleries.
Conor and I have sat down previously for two cover stories, ironically, in 2008 and 2012, as the American presidential elections were coming to a head. When we got together last month, we had Trump, Brexit, and the refugee crisis on our minds, but mainly, we had this new body of work to discuss. Masterful in execution and culturally relevant in so many ways, it left the indelible impression that my friend embraced the challenge of change and triumphed in the face of the unknown.
This story is from the January 2017, n192 edition of JUXTAPOZ.
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This story is from the January 2017, n192 edition of JUXTAPOZ.
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