Frances Guerin argues that painters (including Jasper Johns, Cy Twombly, Agnes Martin, Brice Marden, Mark Rothko, and Gerhard Richter) select grey to respond to a key question of modernist art: What is painting?
In Frances Guerin's history of German silent cinema of the 1920s, the use of light is the pivot around which a new national cinema and culture emerges.
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